Loading…
Tuesday, February 26 • 12:05pm - 1:05pm
Restoring Two-Colour Film and Early Fuji Colour Film: Towards a More Material Approach to Colour Grading

Sign up or log in to save this to your schedule, view media, leave feedback and see who's attending!

Japan’s oldest surviving colour talkie, TheThousand-StitchBelt (Senninbari, 1937), was discovered at Gosfilmofond, the national film archive of Russia. The print found in Russia was a nitrate colour positive and it had to be scanned on-site. But fortunately, the film uses a two-color system, hence it had a limited amount of colors it could reproduce. This limitation turned out to be of great help because we could isolate the colors that could not be reproduced by the original film and utilized the measurements to create a specific LUT. We made a photochemical simulation with today’s film stock, while also conducting a material analysis of KingLee’s Visit (1940), a nitrate colour positive made using the same two-colour system and one that happened to be included in the NFAJ collection. In the end, we came up with a refined LUT by using a supplementary tool that prevents adopting colors the two-colour system cannot express during colour grading. In that way, the NFAJ has, in recent years, been developing methods of restoration based on the material characteristics of colour film. In this presentation, we will show two of the NFAJ’s recent experiments for colour restoration: (1) an quantitive approach that conducts colour resproduction based on the film data sheet of Fuji Color Negative 8515 / Fuji Color Positive 8819, and (2) a more material approach to colour reproduction based on a principal component analysis of Kamakura Carnival(1951), a surviving nitrate positive from the earliest period of Fuji colour.


Speakers
avatar for Masaki Daibo

Masaki Daibo

Associate Curator of Film, National Film Archive of Japan
Masaki Daibo is Associate Curator of Film at the National Film Archive of
 Japan (NFAJ). He has been part of various digital restoration projects that the NFAJ has undertaken over the past seven years, while also being in charge of film acquisitions and managing preservation of... Read More →
avatar for Katsuhisa Ohzeki

Katsuhisa Ohzeki

National Film Archive of Japan
Having graduated in chemistry, Katsuhisa Ozeki began working for Fuji Film and had engaged in research and development of photographic film for more than 30 years. After retiring from Fuji, he joined National Film Center The National Museum of Modern Art (presently known as the National... Read More →


Tuesday February 26, 2019 12:05pm - 1:05pm GMT
NFT3/ BFI Southbank