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Tuesday, February 26 • 5:05pm - 5:35pm
A Comprehensive Analysis of Applied Colour Reproduction

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During the last few decades a variety of technical solutions have come into use for the preservation and presentation of applied colours. This paper is going to analyse comprehensively the advantages and disadvantages of every method that has been available so far (photochemical: internegative, Desmet, chemical dye; digital: scan in colour, scan in b&w) by comparing results deriving from a single nitrate element of Die ideale Filmerzeugung (The Ideal Film Production, 1914), concluding with a digital colour reproduction process of Die Stadt ohne Juden (The City without Jews, 1924) as a pragmatic and authentic solution for archival restorations.


Speakers
avatar for Fumiko Tsuneishi

Fumiko Tsuneishi

Head of Technical Department, Filmarchiv Austria
After launching Japan’s first digital film restoration projects at National Film Center, the National Museum of Modern Art, Tokyo, she joined Filmarchiv Austria in Vienna and is since 2014 responsible for digitization, digital restoration and digital archiving of European heritage... Read More →


Tuesday February 26, 2019 5:05pm - 5:35pm GMT
NFT3/ BFI Southbank