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4th International Conference Colour in Film
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Break
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Colour Group Keynote
Lecture
Opening
Preview
Q&A
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Discussion
Reception
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Lecture
Screening
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Monday
, February 25
BFI Foyer
12:00pm •
Registration (BFI Foyer)
2:45pm •
Short Break
3:56pm •
Break
Blue Room / BFI Southbank
11:00am •
Individual consultancy for prospective students of audiovisual preservation at HTW Berlin (Blue Room).
6:00pm •
RECEPTION – BFI Southbank, Blue Room
NFT3/ BFI Southbank
1:00pm •
Opening the 4th International Colour in Film Conference
1:10pm •
Screenings with introductions
1:15pm •
Silent Comedians in Colour
1:15pm •
Bout-de-Zan au bal masqué
1:25pm •
Bout-de-zan et le crocodile
1:30pm •
SHOULDER ARMS (Swiss version)
2:15pm •
The Bluffer (Sennettcolor)
3:00pm •
Marcantonio e Cleopatra (Enrico Guazzoni, ITA 1913) 10 min. excerpt
3:15pm •
Images du monde visionnaire (Michaux and Duvivier, 1963) (16 mm, excerpt)
3:31pm •
Parisian Modes in Colour (Kodachrome Two-colour)
3:45pm •
Una serpiente inofensiva (stencil colored film from Argentina)
4:30pm •
Projected Cinema Colors: Transparency, Light and Space
5:15pm •
Q&A
5:45pm •
Preview of Day 2 and Close
Tuesday
, February 26
BFI Foyer
6:00pm •
Break
NFT3/ BFI Southbank
9:30am •
Opening
9:34am •
Session 1: Colour in Cinema: Landscape, Fashion, Abstraction
9:35am •
Hallucinating Colour in Kodachrome
10:05am •
In the Colours of Agfacolor. Introduction of Colour to Czechoslovak Cinema of the 1940s and 1950s
10:35am •
A Midsummer Night's Dream (Jiří Trnka, 1959, excerpts)
11:05am •
The Aesthetic of Opulence. Channeling Colour and Darkness in Early Costume and Fashion Film
11:35am •
Session 2: Two Colour Film
11:35am •
Two-Colour Kodachrome. The Forgotten History of Kodak's First Motion Picture Colour Process
12:05pm •
Restoring Two-Colour Film and Early Fuji Colour Film: Towards a More Material Approach to Colour Grading
1:05pm •
Lunch Break
2:00pm •
Colour Group Keynote: Information in Camera Colour Images
2:49pm •
Session 3: Colour: Physics, Spaces, Scanning, Grading - Part One
2:50pm •
The Many Faces of Lenticular Film Digitization
3:35pm •
Scanning Colour Positives
4:04pm •
Session 4: Colour Kaleidoscope
4:05pm •
Colour Wars
4:35pm •
Colour Jokes. Colour as Comedy in Silent and Sound Slapstick Films
5:05pm •
A Comprehensive Analysis of Applied Colour Reproduction
5:35pm •
Q&A
5:55pm •
Preview Day 3
6:30pm •
Public Screening: CITY WITHOUT JEWS (H. K. Breslauer, 1924, Austria)
Wednesday
, February 27
BFI Foyer
12:00pm •
Break
NFT3/ BFI Southbank
9:30am •
Opening
9:35am •
Session 1: Colour: Physics, Spaces, Scanning, Grading - Part Two
9:36am •
Working Beyond RGB: A Report from the Field
10:05am •
Alternative Methods for Digital Color Restoration
10:25am •
Computational Methods of Restoration Quality Assessment
10:45am •
The Use of Contemporary Film Prints as Reference for Digital Colour Grading
11:15am •
Q&A
12:20pm •
Screening: Tinting & Trnka - Encore
1:00pm •
Session 3: Round Table Discussion
2:00pm •
Preview of 2020 CiF and Concluding Remarks
Timezone
4th International Conference Colour in Film
Europe/London
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4th International Conference Colour in Film
Feb 25
-
27, 2019
Monday
, February 25
Tuesday
, February 26
Wednesday
, February 27
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BFI Southbank, Belvedere Rd, Lambeth, London SE1 8XT, Great Britain
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Reto Kromer
Louisa Trott
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Dates
Monday
, February 25
Tuesday
, February 26
Wednesday
, February 27
Types
Break
Keynote
All
Colour Group Keynote
Lecture
Opening
Preview
Q&A
All
Discussion
Reception
All
Lecture
Screening
All
Film
Session
All
Panel
Talk
All
Lecture
Student Talk
Welcome Note
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Venues
BFI Foyer
Blue Room / BFI Southbank
NFT3/ BFI Southbank
